Born to a musical family, it's only natural that he should go down the family road. Ali's father, Jadob Ali, was a staff artiste at the radio. His uncle, Ustad Sadek Ali and cousins Dhir Ali Miah, Mansur Ali, Yunus Ali and Momotaz Uddin were all renowned music directors and composers of the Dacca (Dhaka) Radio Station during the 60s.
When Ali was only a student of class three, his uncle, Ustad Sadek Ali had given him a Chinese violin as a gift. At that age he would be on the tabla, accompanying his sister while she practised on the sitar; he even ventured on his father's esraj, composing tunes.
Ali's first hit, “O Amar Bangla Ma Tor”, was composed from a poem written by a friend. By mixing major notes with flat notes, he brought out the melancholy in the lyrics and made it the gem that it is. His first cinema as a music director was Shondhikkhon in 1975, when he was only 23. From 1977/78, Alauddin Ali and Amzad Hossain teamed up for timeless movies and timeless tunes. Throughout his career, Alauddin Ali has directed music for more than 300 films and has managed to cement the positions of the two playback divas of Bangladeshi music – Runa Laila and Sabina Yasmin.
When Ali was only a student of class three, his uncle, Ustad Sadek Ali had given him a Chinese violin as a gift. At that age he would be on the tabla, accompanying his sister while she practised on the sitar; he even ventured on his father's esraj, composing tunes.
Ali's first hit, “O Amar Bangla Ma Tor”, was composed from a poem written by a friend. By mixing major notes with flat notes, he brought out the melancholy in the lyrics and made it the gem that it is. His first cinema as a music director was Shondhikkhon in 1975, when he was only 23. From 1977/78, Alauddin Ali and Amzad Hossain teamed up for timeless movies and timeless tunes. Throughout his career, Alauddin Ali has directed music for more than 300 films and has managed to cement the positions of the two playback divas of Bangladeshi music – Runa Laila and Sabina Yasmin.
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